New Poem: The Barber

Dark Alley by michaeljtr

This is a response to my prompt of tomorrow, October 26, 2014 (I actually wrote it a few weeks ago) on the topic of The Shadow Self.

Additionally, if I had titled this “Introspection,” then it would be a response to the October 19 prompt. But that gives away the metaphor, so that’s why I didn’t. But you might want to look at this from the standpoint of that earlier prompt.

Poem: The Barber

Recent Photos

Here are several recent photos, nothing terribly artful… two from today’s yardwork and two from our overnight to Depoe Bay.

cloverCoquettish bush-clovers
Stretched out on the ground,
Ill-mannered just as much
As they are beautiful
– Basho

20140728_123600Jason Voorhees mows the lawn! (I’m allergic to grass.)

CarolCarol at McMenamins in Lincoln City

Wharf at Depoe BayThe wharf at Depoe Bay

 

SunWinks! June 22, 2014: Go Take A Haiku, Part Deux

Go Take A Haiku, Part Deux

Dear SunWinkers!

We’ve been talking about haiku, that ancient Japanese party game. Instead of gathering together to play Twister or Grand Theft Auto, 12th century Japanese poets would get together and write renga, collaborative poems of verses in syllables 5-7-5, 7-7, 5-7-5, 7-7, etc., going around the room, each person contributing another verse, ultimately running to hundreds, even thousands of verses. It was quite an honor to be chosen to contribute the starting verse, called the hokku.Poets would come to renga parties prepared with dozens of hokku, and would inevitably go home with lots of leftover hokku. So they would publish books of hokku, and hokku became an art form unto itself.

About the 16th century, various art forms became the province of the hoi polloi rather than just the royalty; these included Kabuki theatre, woodblock prints, and hokku. The popular hokku degenerated into something very much the equivalent of the bawdy limerick. They called these haikai, which means “unusual fun.” Basho (1644-1694) is credited with raising the art of the hokku/haikai once again to something more sublime. What’s easy to overlook is that Basho and others did not always have their heads in the clouds. They were not above writing personal, droll epigrams and even getting scatological. Continue reading

Story: The Honey Badger

The Honey Badger

from The Golden Books
Copyright © 2012 Douglas J. Westberg. All Rights Reserved. International Copyright Secured.

Then Gus noticed something right behind Tucker. “Don’t move!” he whispered

Tucker heard the maraca sound. “It’s a rattlesnake, isn’t it?”

“Oh my God, Tucker, what do we do? I’ll get a stick.”

“Don’t you move either. Either one of us moves, I’m dead.”

“Okay.”

A minute went by. Then two. It seems like hours. Then Gus noticed Tucker had moved imperceptibly. “You’re moving,” he whispered.

“Shh.” Tucker was moving so slowly, Gus couldn’t even see him moving. It was like watching grass grow. He could only tell Tucker was moving when he realized he was in a different position from a minute before. Slowly, infinitesimally, Tucker was turning to face the snake. Gus had never seen anything like it.

Then Tucker made his fatal mistake. His tail twitched. That was enough. The rattlesnake struck.

Kree-k-k-k-kree! Continue reading

SunWinks! June 15, 2014: Go Take a Haiku

Dear SunWinkers!

Happy Father’s Day! I just want to say that it’s been an unalloyed privilege to live with my four children for the 28 years from when I married Nevada’s mother to when Hannah moved out. They are four of the sharpest, brightest, most beautiful and interesting human beings I’ve ever met. Yes, they could be infuriating. Yes, the challenges were overwhelming at times. But I treasure every single second because all of that made those children the people of whom I am so deeply proud and admiring today.

 

I’m on a new kick right now, taking pictures and writing haiku to go with them. Did you notice? This is not my first haiku kick. Actually, I think it’s my second. During my first poetry phase (c. 1998-2001), I wrote one haiku, and that was a spoof. My first haiku kick was less than a year ago—you can see them in my new book, Papa Doug’s Light Book of Little Verse.

Kick #2 started a week ago on a bike ride. I was greeted with an extraordinary sky as I was coming out of Value Village thrift store. I was greeted with another stunning vista halfway home. Thanks to my smartphone camera, these became SkyKu 1 and SkyKu 2. I love taking pictures because it’s such an undepressed thing to do. You have to have a sense of inquisitiveness and wonder, and to want to capture the image for future enjoyment and reflection. For me, it’s not just a pleasure, it’s a bellwether.

Going back to a picture, especially one I took myself, and writing a haiku, exploring the mystery and wonder of what I was looking at, is an additional pleasure. In fact, I have little interest in writing haiku about a picture I did not take. The point of haiku is to reflect on one’s own experience, on one’s own tiny movement of the soul produced from one’s identification with the natural.

Continue reading