SunWinks! June 8, 2014: The Poetry of Barbados Joe Walcott

Dear SunWinkers:

We’ve been talking about a whole ‘nother aspect of the music of poetry: figures of speech, a.k.a. rhetorical figures. Rhetorical figures are ways to manipulate the rhythms of speech to give your poetry or oratory or prose rhythm, momentum, and impact. I just used three of them.

“a whole ‘nother” is a tmesis: splitting a word in two, usually to put another word in between.

“…rhetorical figures. Rhetorical figures…” is an anadiplosis: repeating a word or phrase from the end of a clause or sentence at the beginning of the next.

“poetry or oratory or prose” is polysyndeton: using extra conjunctions (that is, “or” instead of a comma between “poetry” and “oratory”.

We can’t cover all of the 60 figures of speech described in Figures of Speech: 60 Ways to Turn a Phrase by Arthur Quinn [Salt Lake City: Gibbs M. Smith Inc., 1982]. If you want to get all obsessive over this, I mean, if you want to make a methodical study of this topic, you can get ahold of Quinn’s book or go to a wonderful website called The Forest of Rhetoric http://rhetoric.byu.edu/ which describes many times 60 rhetorical figures.

Many of the figures we’ve looked at are repetitive figures, and I did want to cover a few more of those. The reason is that they are pretty easy to understand, and to get a feeling for how they can improve the rhythm and music of your poetry.

So far, we’ve covered these:

Epistrophe is repeating a word or words at the end of a succession of phrases: “of the people, by the people, for the people” Abraham Lincoln.

Anaphora means repeating a word or words at the beginning of a succession of phrases or sentences: “I am waiting for my case to come up/and I am waiting/for a rebirth of wonder/and I am waiting for someone/to really discover America” Lawrence Ferlinghetti.

The technique of repeating a word or words at the beginning and then the end of a sentence or successive sentences is epanalepsis: “Let freedom ring from every hill and molehill of Mississippi. From every mountainside, let freedom ring.” Marin Luther King, Jr.

The device of repeating a phrase by reversing it is called epanados: “The water drives a wedge/of iron through the iron edge/of the cliff” Marianne Moore. “They said, ‘You have a blue guitar,/You do not play things as they are.’//The man replied, ‘Things as they are/ Are changed upon the blue guitar.’” Wallace Stevens.

Epizeuxis means simply repeating a word or phrase immediately: “A pot. A pot is a beginning of a rare bit of trees.” Gertrude Stein. “There will be time, there will be time/To prepare a face to meet the faces that you meet…” T.S. Eliot.

 

Here are a few more I wanted to throw out before we leave the topic:

We just learned anadiplosis is repeating a word or phrase from the end of a clause or sentence at the beginning of the next: “My aspens dear, whose airy cages quelled,/Quelled or quenched in leaves the leaping sun” Gerard Manley Hopkins.

Symploce is repeating the beginning and the end of a sentence in the next sentence: “The yellow fog that rubs its back upon the window-panes,/The yellow smoke that rubs its muzzle on the window-panes,” T.S. Eliot. “She is sweetly there and her curly hair is very lovely/She is sweetly here and I am very near and that is very lovely,” Gertrude Stein.

Barbados Joe WalcottIsocolon is repeating a parallel grammatical construction: “The bigger they are, the harder they fall.” boxer “Barbados” Joe Walcott. “And wears man’s smudge and shares man’s smell:” Gerard Manley Hopkins.

Repetitio covers a multitude of sins; it means repeating a word several times with and without an intervening word or two: “Oh Mistress, Mistress,/Reptile mistress,” D.H. Lawrence. “Night, night/Death’s second self/where all is empty, all is despair/All gone, all down/All, all despair/And grey is my true love’s hair” Lawrence Ferlinghetti.

The Prompt

(Let me emphasize one more time: the important thing is to get a sense of the techniques described here so you can incorporate them into your writing, not to memorize the arcane Greek terms for them.)

Write a short poem or short short story using one or more of the devices mentioned above.

Post your response on your blog or social site (you could create a Note on Facebook, for example).

If your blog is on WordPress, tag the post with Wesun.

Comment on this article with a link to your response. I’ll comment on your response either here or there or both.

Love,

Doug

 

14 Comments

  1. terramere's avatar

    i am overwhelmed
    and over stimulated by the
    many ways in which repetition
    of a choice word can take a poem
    from ordinary to extraordinary
    thus stated – repetition could be overrated
    and turn a poem from published
    into a post that would be underated

    Liked by 1 person

  2. katlnhat's avatar

    So. To over simplify this, because perhaps it needs to be said, for people who have no idea what these form are, and truly don’t care, they are all about repetition, in some form or another, correct? You wish a poem (including free verse?) or a short story (pushing it, in my opinion) which shows repetition, is this correct?

    Just trying to clarify this prompt, without the research thrown in, because truly, many of us get lost with that.

    Liked by 1 person

  3. steelheaddoug's avatar

    I’ve done the research for you.

    If you don’t care, go do something else. We’re not in high school… 😉 I’m aware I’m not everybody’s cup of tea. The object is to have fun. 😀

    A little repetition goes a long way. Just take one of these figures, whichever one strikes your fancy. Just write a couple of lines, incorporating an example of that figure. Anaphora might be a good one to start with.

    Maybe it will turn into a poem, maybe not. Either way, post what you come up with. It’s all good.

    Love,
    Doug

    Liked by 1 person

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